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Last but not least, Sean Paul did a remake of sorts of this song. Normally, that would be an absolutely offensive idea, but by golly, he didn’t do badly by it. It’s a pop song, to be sure, but fun and sweet. See if you agree:
Incidentally, Alton’s sister, Hortense Ellis, recorded her own “ladies” version of this track – the very cleverly titled I’m Still in Love with You (Boy). Not a patch on the original, mind you, but still worth a listen.
For MFM’s inaugural song of the day, we go with Mr. Rocksteady himself, Alton Ellis, and his undeniable classic, I’m Still in Love with You Girl (or I’m Still in Love with You, as it is sometimes written). This song ranks in the top ten ever for MFM’s Heather. Please enjoy.
Mind you, if you’re looking for a little something from the other side of Arab Strap, you can hardly go wrong with The Shy Retirer.
You know I’m always moanin’/but you jumpstart my serotonin – one of my fav lines ever. The only problem here is that this is an edited version. Ah well, can’t win them all.This song is a bit out of character for Arab Strap – and by that I mean it is relatively peppy, not very smutty and kind of makes you want to get outside into the sunshine instead of burying your head in your 12th pint. I like that side of Arab Strap, too, but this song is a real favorite. It’s from the Girls of Summer EP, from way back in 1997.
Yes, yes, Buju Banton is currently spending time in a Florida prison for attempting to sell drugs to an undercover police officer. When you hear this song – indeed, when you hear the entire ‘Til Shiloh album from which it comes – you’re likely to find yourself scratching your head and wondering why the story of such a talented man ends that way.
In any case, the untold stories in this song are as relevant today as they were when it was released in 1995. You will never understand the definition of it. Buju was a bit of a controversial figure in reggae music even back then, but I (Heather) have always had something of a soft spot for him because – true story – we appeared on TV together when he visited the Jamaican restaurant in which I worked. (Yes, I love Jamaican music so much I went out and got myself a job in a Jamaican restaurant in the 90s. I was after free ginger beer and mix tapes. Then I moved to Scotland because I love Belle and Sebastian. See, I really do love music.)
‘Til Shiloh is Buju at his best, and this song is among the best of the best. Enjoy:This is my favorite Otis Redding song, bar none (and I am a big fan of the big man). The thing is, it’s not REALLY an Otis Redding song. It is in fact a cover of a 1964 O.V. Wright song. O.V. didn’t write it either – his manager, Roosevelt Jamison did. Otis isn’t the only one to cover this song by a long shot, but to me, we don’t really need to talk about the others.
Otis’ version of the track was released in 1965 as part of the album, The Great Otis Redding Sings Soul Ballads. And who could really ever sing a soul ballad better anyway? RIP, Otis.
When I lived in Scotland, I was fortunate enough to spend a lot of time around a lot of talented musicians. One of my favorite groups – and definitely an extremely underrated group – is ballboy. They’re a bit like The Wedding Present….except a bit more….Scottish? Gordon McIntyre is a top notch songwriter – he makes you want to laugh and cry all at the same time. My first time seeing ballboy was one of the best gigs I’ve ever been to. They blew me away. The funny thing is that I didn’t want to go out that night and only went as a favor to a friend. Sometimes it’s good to do favors.
It’s too hard to pick just one ballboy track, so enjoy a sampling of their wares:
Something’s Going to Happen Soon:Eva Cassidy has sold more than 10 million albums, but she never got to enjoy her success. She died of cancer in 1996, before audiences outside of her Washington, DC, hometown got to experience her voice. It was BBC Radio 2 DJ Terry Wogan who introduced Cassidy to a wider audience by playing her cover of Over The Rainbow on his show. The response was overwhelming, and Cassidy became a posthumous star.
The first time I heard this song was when it appeared on a compilation of women singers alongside a song by an artist on the label I was working for at the time. I was blown away. It’s quite simply gorgeous (keep your Kleenex handy) and needs little introduction.
Along with Cutty Ranks, Yellowman was kind of a gateway reggae drug for me. Almost everyone starts with a copy of Legend, mind you, but my second ever reggae purchase was King Yellowman. This song isn’t from that album, but it’s a good Yellowman choice since it shows off his sense of humor and his sometimes hilariously simplistic rhymes.
Simplistic though those rhymes may be, Yellowman is one reggae’s most successful musicians and has certainly had one of the longest careers. He is also one of the grandfathers of dancehall. His emergence on the scene moved reggae from the roots movements of the 70s to a brave new world of more aggressive styles. Yes, he is an albino. Interesting fact: in 1983, a doctor told him he would die of skin cancer in three years.
Thankfully, he is still around for us all to enjoy. Song of the Day is back from hiatus! Today we go with the super-mega-classic Blue Monday by the one and only New Order. This song is MFM’s minds today because of the oft quoted story about the original pressing of Blue Monday losing money on every sale because the sleeve was so expensive. Those bass artists of dub are really eating away at my nerves. I want more music and dubstep music asap. Now, some say that is a Factory Records urban legend and that in fact all of that money went into propping up the Hacienda, but I’m (“I’m” being Heather) sticking with the lost money story because A)I heard Tony Wilson say it himself while he was giving a talk, and I choose to believe him and B)the story makes a better lesson for my class that way. Mind you, I never got around to telling the story in class today, but I’m quite sure we can get it eventually.
New Order in Glasgow – my fav show ever, even though I got kicked in the head. Really. By a crowd surfer. Who crowd surfs at New Order? He kicked me in the back of the head and then again the face as he passed over me. Still – best show ever.
Your music press release is your calling card. A great press release not only gives a journalist everything they need to cover your project, but it also gets them excited about it. They pass that excitement on to their readers, and viola, you’ve got people dying to hear your music.
The trick for many indie musicians is that PR firms are out of their price ranges, so they end up having to write their own press releases. The same issue always arises – writing about yourself is hard! That is where we come into the picture. We can help you translate your project onto paper the right way, so you have a professional grade press release at a fraction of the cost.
If you’ve already taken a few swings at your own press release, we can still help. That Techno DJ really pushed my buttons. Let us share our press release experience with you to come up with a final edit that is sure to get the responses you want.
The prices for our press release work varies widely, depending on what you need. A basic press release, including three drafts, comes in at $100. If you need a single edit of a press release you’ve started, the price is $50. If you need a batch of press releases or want to set up an ongoing press release writing contract, we’ll work together to find a price that meets your needs.
Consultancy: What Is It?
Picture it. You need some advice about taking the next step in your music career. You don’t want to give up a lot of control over your decision making, and you don’t want to sign any long-term work agreements. You definitely don’t want to give up a percentage of your earnings for the foreseeable future. You just need an experienced ear to run things past and to help you make the right choices for yourself and your goals.
That is where consultancy comes in. We can be that ear and that source of advice for you without stepping on your toes or into your pockets. We’ll help you help yourself make your music career ambitions a reality, one step at a time.
What Will You Do for Me?
It is really important to understand the difference between a consultant and a manager, so you know what you’re getting into. In a nutshell, with a consultant, you do the hands-on work yourself. Here are a few examples:
- You want to book a tour. We help you get your press kit together, figure out where to book your shows, offer advice on tour budgeting and planning, tell you how to approach promoters and venues and help you evaluate the shows and deals you are offered. You do the actual mailings, follow-ups and negotiating.
- You want to release a record. We help you figure out manufacturing, distribution, publishing and promotion. You do the actual legwork to seal the deals.
- You want to start a record label. We help you navigate the business set-up process, establish a label identity, figure out artist deals and put together the pieces required to get an artist from signing to release. You put our advice into action.
Those examples are just a few things we can assist you with, but they demonstrate how the consultancy relationship works. We can help you put the pieces of the puzzle together and give you the answer when you are wondering, “ok – now what.” If you’re looking for someone to actually book the shows, approach the labels and so on, then you’re better suited finding a manager.
How the Relationship Works
It is important to us that we help you the best way we can, so the relationship really depends on what you need. We have a few basic consultancy packages on offer. They include:
With the full-time plan, we’re at your disposal. We will have a pre-arranged weekly, one-hour phone call to go over progress and make plans for the coming week. We will be available to you by email anytime, and we promise to respond to your emails within 24 hours. When things are really happening, you can also reach us by phone when you need an answer fast. Should you need a press release or a one-sheet, we’ll write them for you.
Part-time consultancy is essentially the full-time plan, cut in half. We will jump on the phone with you twice a month and be available to you by email, with a response guaranteed within 48 hours. We’re also available for two, non-scheduled calls per week when you need answers right away.
Jump In/Jump Out Consultancy
If you don’t need consultancy for a full month but need just some one-off advice, this plan is for you. Arrange a one-hour phone call and two follow-up emails any time you really need some quick advice.
These are just a few examples of how we work. Again, our most important thing is giving you the support you need, so if none of these plans fit the bill, contact us about arranging a relationship that better suits your needs.
We love music, and we believe in empowering musicians and the indie industry with knowledge. We’d do this for free if we could, but our landlords don’t take too kindly to that plan. We are committed to making our prices reasonable – we only charge what we have to in order to give you the attention you deserve while still paying our rent. Our prices range from $75 to $500, depending on what you need from us. Drop us a line at firstname.lastname@example.org, and we’ll come up with a plan and price designed just for you.
We offer discounts when you sign up for more than three months at a time. You can also contact us to discuss payment plans.
Our Philosophy and Promise to You
We come from independent music, and we believe in independent music. Armed with knowledge, you can build a thriving music career that supports you financially and fulfills you creatively. We want to share our experience and the lessons we’ve learned along the way so you can reach your goals, your way.
With our combined backgrounds, we have experience as performers and in record labels, show promotion, artist management, PR, tour booking and much more. We’ve worked with styles ranging from indie pop to hip-hop to country to reggae, so we understand how your chosen genre of music impacts the road map to your goals. But even with our extensive experience, we will never, ever accept a client we don’t think we can help. We know how limited your budget is as you’re building your music career, and we will never take money for a job we can’t complete. If you need help we don’t think we can provide, we will tell you and recommend where you can find the right support.
So, Let’s Do It
Ready to find out more? Contact us, tell us a little about the kind of help you need, and find out what we can do for you.